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        <title>Measuring the unique impact of BIPOC media</title>
        <link>https://mmcxchange.com/detail/measuring-the-unique-impact-of-bipoc-media</link>
        <pubDate>Sat, 07 Jan 2023 02:39:14 -0500</pubDate>
        <dc:creator><![CDATA[Randy Picht]]></dc:creator>
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        <description><![CDATA[(Back row left to right) Levi Rickert, Daniel Laplaza, Da’Shaun Harrison. (Second row left to right) Emily Daly, Maria Hernandez, Melanie Figueiredo,&#8230;]]></description>
        <content:encoded><![CDATA[<p><img src="https://mmcxchange.s3.us-east-2.amazonaws.com/uploads/cover_photo/1673039176.png" alt="Measuring the unique impact of BIPOC media" /></p><p><img src="https://rjionline.org/wp-content/uploads/sites/2/2022/12/urlmedia22122101-1024x576.jpg" class="w-100 mb-2 h-auto wp-post-image" alt="(Back row left to right) Levi Rickert, Daniel Laplaza, Da’Shaun Harrison. (Second row left to right) Emily Daly, Maria Hernandez, Melanie Figueiredo, Sonali Kohli, Rae’Mah Henderson, Valeria Fernandez. (Third row left to right) Leonor Ayala Polley, Ashton Lattimore, Ariam Alula, Janelle Zagala, Andaiye Taylor, Mitra Kalita, Ellah Nze. (Front row left to right) Ashanti Martin, Arya Royal, Mukhtar M. Ibrahim, Tareq Alani, Candice Fortman, Mazin Sidahmed, Sara Lomax. Photo: Hari Adivarekar" title="(Back row left to right) Levi Rickert, Daniel Laplaza, Da’Shaun Harrison. (Second row left to right) Emily Daly, Maria Hernandez, Melanie Figueiredo, Sonali Kohli, Rae’Mah Henderson, Valeria Fernandez. (Third row left to right) Leonor Ayala Polley, Ashton Lattimore, Ariam Alula, Janelle Zagala, Andaiye Taylor, Mitra Kalita, Ellah Nze. (Front row left to right) Ashanti Martin, Arya Royal, Mukhtar M. Ibrahim, Tareq Alani, Candice Fortman, Mazin Sidahmed, Sara Lomax. Photo: Hari Adivarekar" width="1024" height="576">					</p><p class="post-image-caption text-right">
				<small>(Back row left to right) Levi Rickert, Daniel Laplaza, 
Da’Shaun Harrison. (Second row left to right) Emily Daly, Maria 
Hernandez, Melanie Figueiredo, Sonali Kohli, Rae’Mah Henderson, Valeria 
Fernandez. (Third row left to right) Leonor Ayala Polley, Ashton 
Lattimore, Ariam Alula, Janelle Zagala, Andaiye Taylor, Mitra Kalita, 
Ellah Nze. (Front row left to right) Ashanti Martin, Arya Royal, Mukhtar
 M. Ibrahim, Tareq Alani, Candice Fortman, Mazin Sidahmed, Sara Lomax.
Photo: Hari Adivarekar
</small>
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    <time class="updated" datetime="2023-01-03T15:00:00+00:00">January 3, 2023</time>
  
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          <a href="https://rjionline.org/category/news/" rel="category tag">News</a> <a href="https://rjionline.org/category/rji-partnerships/" rel="category tag">RJI Partnerships</a> <a href="https://rjionline.org/category/research/" rel="category tag">Research</a>      </div>
  <p></p>

		<h1 class="entry-title">Measuring the unique impact of BIPOC media</h1>

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                      <img src="https://rjionline.org/wp-content/uploads/sites/2/2022/12/royala22122101-150x150.jpg" class="attachment-100x100 size-100x100 wp-post-image" alt="Arya Royal" width="100" height="100">                  </div>
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            <a href="https://rjionline.org/person/arya-royal/">Arya Royal</a>
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	<div class="entry-content">
		
<p class="has-medium-font-size">This partnership between RJI and URL Media strives to measure how communities are empowered by the media they’re consuming</p>



<p><a href="https://url-media.com/">URL Media</a> is partnering with the <a href="https://rjionline.org/">Reynolds Journalism Institute</a>
 (RJI) to research and develop new metrics to quantify the depth of 
engagement BIPOC media outlets have with their communities that is not 
solely based on stale media buying metrics rooted in scale.&nbsp;</p>



<p>The approach of this project aims to measure what we call the 
“currency of impact,” the multitude of ways that BIPOC media outlets 
serve, center, support and uplift their audiences. It also seeks to 
disrupt traditional pricing models such as CPMs (cost per mille; 
impressions for every thousand impressions as ad receives) or audience 
scale quantified by page views or unique visitors—metrics more favorable
 to national media or organizations driven by less diverse 
stakeholders.&nbsp;</p>


<div class="wp-block-image">
<figure class="alignright size-full is-resized"><img src="https://rjionline.org/wp-content/uploads/sites/2/2022/12/urlmedia22122102.png" alt="" class="wp-image-24045" width="390" height="390"></figure></div>


<p>URL Media, a network of 18 high-performing Black and Brown media 
outlets across the U.S., launched two years ago in the wake of 2020’s 
protests over racialized violence and police brutality. It boasts a 
diversified revenue model consisting of advertising, philanthropy and 
inclusive talent development services. Co-founders <a href="https://en.wikipedia.org/wiki/Sara_Lomax-Reese">Sara Lomax</a> and <a href="http://mitrakalita.com/">S. Mitra Kalita</a>, veteran media executives who respectively run <a href="https://wurdradio.com/">WURD Radio</a> in Philadelphia and <a href="https://epicenter-nyc.com/">Epicenter-NYC</a>,
 had grown frustrated with the prevalence of news practices that 
anonymized and otherized people of color’s day-to-day experiences. They 
sought to achieve scale without sacrificing the trust and intimacy of 
local, community media.&nbsp;</p>



<p>But conveying the value of the media outlets to their communities and
 the premium, targeted audiences they represent, requires a constant 
education of clients, sponsors and advertising partners.&nbsp;</p>



<p>“Impact investing means advertisers are not only pouring their 
dollars into scale and reach, but into outlets that significantly 
resource and represent the diverse voices of their respective 
communities,” says Melanie Figueiredo, URL Media Vice President for Ad 
Sales and Sponsorships. “The feedback we receive from our users, the 
gratitude, is unparalleled in the mainstream media marketplace. We 
organically produce a loyal media consumer, who is also empowered by the
 media they are consuming.”</p>



<p>She cites metrics that taken together can help paint a picture of 
this impact and empowerment: open rates on newsletters, action taken 
after published stories and attendance at events or forums.</p>



<p>The time has never been better for equity of measurement in digital 
media. Advertising firms and the companies they represent are often 
governed by a commitment to spend on sustainable, ethical activities 
that promote environmental, social or governance (ESG) interests. They 
need new standards to evaluate how to choose which companies they’ll 
invest in. As we’ve seen, news organizations can count less on an Elon 
Musk-led Twitter and overhauled Facebook for traffic to their sites.&nbsp;</p>



<blockquote class="wp-block-quote">
<p>The time has never been better for equity of measurement in digital 
media. Advertising firms and the companies they represent are often 
governed by a commitment to spend on sustainable, ethical activities 
that promote environmental, social or governance (ESG) interests. They 
need new standards to evaluate how to choose which companies they’ll 
invest in.</p>
</blockquote>



<p>This makes the direct audiences who turn to members of the URL Media network ever more valuable.&nbsp;</p>



<p>Still, talk of CPMs and audience scale dominate media investment 
meetings, where advertisers decide which companies are going to receive 
sustaining funds. While many corporations and agencies earmark ad 
dollars specifically for the work of Black and Brown publishers, the 
publishers themselves don’t report significant uptick.&nbsp;&nbsp;</p>



<p>“Oftentimes what happens is corporations appropriate money to the 
Fifth Avenue advertising agencies, who suck it all up and the money 
doesn’t trickle down to publishers,”&nbsp; says Levi Rickert, publisher and 
editor of <a href="https://nativenewsonline.net/">Native News Online</a> and <a href="https://tribalbusinessnews.com/">Tribal Business News</a>. “[The funds get] caught in this vicious loop and power still lies in ad agencies, which are predominantly white.”&nbsp;</p>



<p>He was quoted in <a href="https://wurdworks.com/show-me-the-money-bipoc-media-still-waiting-on-ad-spend/">a URL Media story</a>
 on where advertising dollars pledged after the murder of George Floyd 
had gone. In 2020, only 2 percent of U.S. advertising dollars was spent 
with Black-owned media, according to Nielsen Ad Intel. “For sure the 
issue went out of vogue for many corporations,” says Jade Ogunnaike, 
senior campaign director at Color of Change, an online racial justice 
organization. “Every Fortune 500 made commitments, but very few followed
 up on those commitments and refused a clear transparent process.”</p>



<p>A focus on brand-safety also has a disproportionate effect on Black and Brown publishers. An <a href="https://themarkup.org/google-the-giant/2021/04/09/google-blocks-advertisers-from-targeting-black-lives-matter-youtube-videos">investigation last year by The Markup found that Google blocked advertisers</a>
 from putting money against terms like Black Lives Matter in YouTube 
videos whereas “all lives matter” and “White lives matter” were just 
fine.&nbsp;</p>



<p>“We’ve had to purposefully and consistently become activists in 
media-buying meetings, by challenging the status quo. Whether that’s 
highlighting the harmful and racist nature of ‘brand safe words’ or 
challenging the old model of reach, CPM, scale,” says Figueiredo. “Our 
audiences engage differently, and that’s what differentiates their 
quantifiable media consumption value, and the cost of their attention. 
This is a premium, curated, attentive, audience. And the ad dollars we 
are deriving should and do reflect that, even in our inaugural year of 
this work.”</p>



<p>Indeed, a comparative content analysis of the Black press and U.S. mainstream media published by the <a href="https://www.journalism.cuny.edu/centers/center-community-media/">Center for Community Media</a> at the Craig Newmark Graduate School of Journalism at CUNY <a href="https://blackmediareport.journalism.cuny.edu/">found </a>that
 Black media excels more than mainstream media in covering issues 
important to Black communities, including racism, health disparities, 
and voting access and provides more historical context to present-day 
challenges.</p>



<p>Besides other measurements such as open rates and impact, Figueiredo 
also mentions business principles such as working with vendors and 
service providers run by people of color: “Those media consumers are 
also consumers of other goods and services — and they look to patronize 
brands that are shepherding their dollars back to these same 
communities. Representation affects spend. In a cookieless world, the 
relationships we are building with our audiences are invaluable.”</p>



<p>For the next year, URL Media and RJI will work on new and 
comprehensive ways for media to quantify their value. We will be working
 with a combination of journalists, data analysts, ad-tech engineers, 
and sales and marketing experts. Throughout this project we will share 
transparent updates, ask for feedback and provide adoptable resources 
which will include guides, a white paper, webinars and ultimately a 
resource that other newsrooms can use. This resource will provide a 
model and metrics to define and calculate your service journalism’s 
social and economic footprint on the communities you serve.</p>



<div style="height:13px" aria-hidden="true" class="wp-block-spacer"></div>



<p><em>Arya Royal currently works full time at URL Media. She graduated 
from the Distinguished Major Program in Political Philosophy, Policy, 
and Law at the University of Virginia. She recently served as a 
researcher and interviewer for Nora Neus’s oral history,&nbsp;<a href="https://nam02.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.amazon.com%2F24-Hours-Charlottesville-History-Supremacy%2Fdp%2F0807011924&amp;data=05%7C01%7Cwill.lager%40rjionline.org%7Cf01a0184ebd54e8e28c708daee96808c%7Ce3fefdbef7e9401ba51a355e01b05a89%7C0%7C0%7C638084627414767740%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=4f8PJ17PogAnevE4DOegMuSl8Jb3S2jYnEVfux61jz8%3D&amp;reserved=0">24 Hours in Charlottesville</a>, to be published in July of 2023.&nbsp;</em></p>
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